Vol.36 / No.2 |
Note from the Editor |
John P. DiMoia |
2024.01.02 |
107 |
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Vol.36 / No.2 |
[Theme Issue — Contemporary Zainichi Experience: Past, Present, and Future Trajectories] Guest Editor’s Introduction |
Jackie J. Kim-Wachutka |
2024.01.02 |
197 |
|
Vol.36 / No.2 |
A Place of “Re-collect”: Zainichi Experiences with/in Utoro, Japan |
Min Wha Han |
2024.01.02 |
136 |
|
Vol.36 / No.2 |
Logics of Strategic Racism in the Anti-Hate Speech Law Era: Analyzing the Discourse Against Zainichi Koreans in Japanese Right-Wing TV Programs |
Naoto Higuchi |
2024.01.02 |
129 |
|
Vol.36 / No.2 |
In/Visible—New Directions in Contemporary Art by Zainichi Koreans: Fragile Frames/ Precarious Lives—in Soni Kum’s Morning Dew (2020) |
Rebecca S. Jennison |
2024.01.02 |
131 |
|
Vol.36 / No.2 |
Literary Negotiations in Contemporary Zainichi Korean Literature: Zainichi Korean Postcoloniality and its Entanglement with Global History |
Maren Haufs-Brusberg |
2024.01.02 |
113 |
|
Vol.36 / No.2 |
Culinary Intimacy in Fukazawa Ushio’s The Matchmaker and “When Yi Tongae Eats” |
Jooyeon Rhee |
2024.01.02 |
100 |
|
Vol.36 / No.2 |
The Tethered Fates of Japan’s “Foreigner” Communities: Zainichi Koreans, Residency Provisions, and the COVID-19 Pandemic |
Joel Matthews and Eiko Osaka |
2024.01.02 |
100 |
|
Vol.36 / No.2 |
The Multiple Layers of “Zainichi” Korean Chinese Diaspora Viewed from a Kaleidoscopic Perspective through the Prism of the Documentary Indelible |
Hyangsuk Kwon |
2024.01.02 |
101 |
|
Vol.36 / No.2 |
[Book Note] The Trial of Pak Tal and Other Stories by Kim Tal-su, translated by Christopher D. Scott |
Erik Ropers |
2024.01.02 |
104 |
|
Vol.36 / No.2 |
[Book Note] Still Hear the Wound: Toward an Asia, Politics, and Art to Come edited by Lee Chonghwa, translation edited by Rebecca Jennison and Brett de Bary |
Christine L. Marran |
2024.01.02 |
91 |
|
Vol.36 / No.2 |
[Film Note] In-Mates directed by Yuki Iiyama |
Yasuko Ikeuchi |
2024.01.02 |
102 |
|
Vol.36 / No.2 |
Embodying Ethnic and Settler Identities: An Analysis of the English-Language Korean Play Sim Cheong (1938) in Hawai‘i |
Heeyoung Choi |
2024.01.02 |
87 |
|
Vol.36 / No.2 |
Making “Refugees”: Repatriates, Migrants, and Institutions of Care in Liberated South Korea, 1945–1950 |
Alyssa Park |
2024.01.02 |
84 |
|
Vol.36 / No.2 |
[Review Article] Five Historiographical Trends in the Postwar Japanese Study of Joseon History |
Ilsoo Cho, Yuya Kawanishi, Kanako Kimura, Taku Kimura, Yamato Tsuji, and Takeshi Yagi |
2024.01.02 |
249 |
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Vol.36 / No.2 |
[Book Note] Narratives of Civic Duty: How National Stories Shape Democracy in Asia by Aram Hur |
Erik Mobrand |
2024.01.02 |
106 |
|
Vol.36 / No.2 |
[Book Note] Flower of Capitalism: South Korean Advertising at a Crossroads by Olga Fedorenko |
Keewoong Lee |
2024.01.02 |
103 |
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Vol.36 / No.2 |
[Book Note] Understanding Korean Webtoon Culture: Transmedia Storytelling, Digital Platforms, and Genres by Dal Yong Jin |
Hojin Song |
2024.01.02 |
140 |
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